Rushmore (1998)

Wes Anderson. Need I say more?

Okay, just a few words. Not Anderson's first feature-length film, although it is the first in which we really recognize his 'stilo'. Stilo was the term used by Truffaut and friends to indicate the mark a director left on his motion picture. Anderson was a distinct fan of the French new wave directors and that is sure to be seen in all of his works. He directs his movies almost as if they are theatrical plays. Costumes and decors are as important to him as dialogues and script. Still through the use of subtleties he creates movies which are full of drama, humor and compassion.

Rushmore, a story on friendship, love and ambition set against the backdrop of the American university tradition. A tradition of competition that opened up the door to the new elitist 'ivy style'. A style lately more and more popular resulting in the re-release of the Japanese classic Take Ivy and the British The Ivy Look. Anderson was long familiar with the ivy look. The button-down Oxford shirts worn by all the students, the turtleneck sweater under a tweed-jacket and the iconic harrington jacket. The classic chicano look, light-blue oxford shirt with only the top-button fastened and accompanied by all black sunglasses, is not ivy at all but it has just as much style. And note the giant headlight on Max's racebike.

ps. I had to select all these portraits of Bill Murray. He's the king of facial expressions without expression. Together with Anderson he's just it. Every single shirt matches his tie, or the other way around. Awesomeness.

Public Enemies (2009)

The aspect of cinema that keeps me fascinated is the visual appearance of characters. Where in books a character is described with words and lots of visual meaning is added by the reader, in film this description is fully given through images including facial features, clothing and movements. Because of that characters will always be ideal - just like the marble sculptures from the ancient Greeks. They are played by the best looking actors/actresses and look like they just took a shower after visiting the hairdresser and got themselves some crispy new clothes. You never see the average joe from the around the block. Please note I need to generalize here. And it's even more interesting if the film is historic or based on a true story, since there are facts on the original story and perhaps some pictures available.

As is with Public Enemies, which is all about John Dillinger. John Dillinger has had the luck to be played by John Depp II. If you've never seen any picture of the real John you would think that he was the most stylish guy in every State of America at the time. Don't get me wrong, Dillinger wasn't under dressed but Depp simply manages to portray a character that's the only remembrance you have afterwards. Enough. Other details in the film are almost as impressing. As for the heavy cotton prisoner outfits, the tweed coat with the blocked pattern, the dashboard of an old 1920's Ford model and all the different hat styles (including the prison one!).