Ghost Dog: The Way of the Samurai (1999)

Jim Jarmusch is one of these contemporary directors that know how to portray coolness in a very sophisticated way. Like Wes Anderson, but in a significant different design, although their mixing of the serious and comic genres with a high sense of dry humor are very similar.

I already featured some samurai in the traditional fashion. But with Ghost Dog Jarmusch choose to portray a samurai in the present, utterly well played by Forest Withaker. A quiet figure, very decent and dedicated, plus he's got some fantastic items and uses of things. A secret compartment in his wooden floor with a secretly situated key, the self-made boombox out of wood and car hi-fi, his communicating by carrier pigeon and the glossy dark-blue suit. Lots of shoe styles are found either, from the all red Nike Low Air Force Ones as the Reebok Pumps to classic American footwear like L.L. Beans (not featured) and the Red Wings worn by Isaach de Bankolé. Not unexpectedly, because of his love for ancient Asian practices, the RZA made the soundtrack for the movie.

Rushmore (1998)

Wes Anderson. Need I say more?

Okay, just a few words. Not Anderson's first feature-length film, although it is the first in which we really recognize his 'stilo'. Stilo was the term used by Truffaut and friends to indicate the mark a director left on his motion picture. Anderson was a distinct fan of the French new wave directors and that is sure to be seen in all of his works. He directs his movies almost as if they are theatrical plays. Costumes and decors are as important to him as dialogues and script. Still through the use of subtleties he creates movies which are full of drama, humor and compassion.

Rushmore, a story on friendship, love and ambition set against the backdrop of the American university tradition. A tradition of competition that opened up the door to the new elitist 'ivy style'. A style lately more and more popular resulting in the re-release of the Japanese classic Take Ivy and the British The Ivy Look. Anderson was long familiar with the ivy look. The button-down Oxford shirts worn by all the students, the turtleneck sweater under a tweed-jacket and the iconic harrington jacket. The classic chicano look, light-blue oxford shirt with only the top-button fastened and accompanied by all black sunglasses, is not ivy at all but it has just as much style. And note the giant headlight on Max's racebike.

ps. I had to select all these portraits of Bill Murray. He's the king of facial expressions without expression. Together with Anderson he's just it. Every single shirt matches his tie, or the other way around. Awesomeness.

Lat Sau San Taam (1992)

By far one of the best bullet spraying action films.
John Woo certainly loves small details like cigarettes, sunglasses and watches, preferably gold. It's the typical early 90's way too over-sized suits with bright colored Hawaiian shirts that are the most striking. Big-up to the young Tony Leung for his stunning appearance next to the great Chow Yun-Fat and Philip Kwok (known for his appearance in many Shaw Brothers movies).